Don't fight back, don't look at me like that
Don't forget I'll never quite forgive you
But I'll pretend to
Don't fight fair, and don't you cut your hair
Don't you make the same mistakes your father did
You are not him
Well it's always back to you again
Always back to you, my friend
You keep me on the run
Never learned to lose a fight, never learned to grow up right
This is who we are
How will I release you now?
How can I forgive myself when I'm still in love with you?
And it's always back to you again
Always back to you, my friend
You keep me on the run
Well baby, you're so famous but you sold out your soul
You went and let it all go on a melody
Some kind of tragedy
So quit your job, come sleep in my bed
We'll get by on our roses and our elegies
Things we could never see
Well it's always back to you again
Always back to you, my friend
You keep me on the run
Never learned to lose a fight, never learned to grow up right
This is who we are
How will I release you now?
How can I forgive myself when I'm still in love with you?
And it's always back to you again
Always back to you, my friend
You keep me on the run
Always back to you again
Always back to you, my friend
Now look at what we've done
credits
from The Shark in Your Water,
track released December 10, 2021
Recorded at Dream House Studios in Toronto, ON
Written by Ruby Mckinnon
Produced by Ruby Mckinnon, Josh Kaiser, Alexandre Bonenfant, and Jay Merrow
Mixed by Josh Kaiser
Mastered by João Carvalho
Engineer: Calvin Hartwick
This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters.
I would like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario.
Avi Buffalo had a hand in producing this cassette of Lowpines' serene, self-described "Lo-fi-Anglo-Americana pop songs." Bandcamp New & Notable Feb 28, 2016
Canadian singer-songwriter Hannah Judge navigates the trials and tribulations of adulthood in a cozy, intimate indie-pop setting. Bandcamp New & Notable Jun 15, 2022
This is the first album I found that really spoke to me as a young fem.
From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle. clementinehatepageichangedmymind